Redford plays both sides of the camera at retrospective

The Sundance Kid may be more of a Sundance Septuagenarian these days, but Robert Redford shows no sign of slowing down.

The megastar’s half-century-long career—which BAMcinématek celebrates this week with screenings and discussions—seems to belong to more than one person. Redford has not only one of the most diverse acting résumés in Hollywood, but has also found success as a director, an independent film producer, and an environmental activist. And with a new film on the way, along with his annual Sundance Film Festival in January, he certainly deserves a celebration.

A California native, Redford initially depended on his good looks to get him roles in television and film, especially in the romance genre, but that never stopped him from trying out more challenging characters. With the exception of The Way We Were, BAM’s choices of Redford’s films cover his more dynamic work. The sex scenes, such as in The Sting and Butch Cassidy and the Sundance Kid, are definitely not of the romantic variety, and many of his films leave their audiences with endings that challenge the status quo.

The cinematic themes of his directorial collection also tend to value real issues over those that may attract a larger audience. His first foray into directing—Ordinary People—centers on a dysfunctional family dealing with tragedy, while Quiz Show reenacts the historical Twenty One quiz show scandal of the ’50s.

Yet, some feel that his activism over the last three decades—concerning both the film industry and the environment—has had the most impact globally. Since 1978, the Sundance Film Festival, which he founded, has given great opportunities to hundreds of talented cinematic artists, whether it’s publicity or industry validation. Similarly, Redford also founded the Sundance Institute,which brings creative minds together and gives them an environment in which they can be creative.

One such film from the institute is El Norte, which follows two Guatemalan teenagers as they illegally immigrate to America and try to find a home despite all the difficulties they experience.

Redford also lends his clout to fighting for environmental protection. He is interviewed in The Unforseen, a documentary concerning the negative effects urban development brings upon the surrounding environment.

If Columbia students don’t find the appeal of any of these films strong enough to make the trek to Brooklyn, they should heed this: Redford will be there in person after several screenings for a Q&A session. At the time of print, Q&A tickets were still available for All The President’s Men, it is likely that they will sell quickly.

Even in Manhattan, it is pretty easy to celebrate Robert Redford on campus. Some of his films, such as The Natural and The Sting will be easier to find than more independent films.
Just remember that this is not a celebration of Redford’s lifetime of achievements, because this cinematic icon is far from finished with what he wants to achieve.

BAMcinématek is running through September 16th at the Brooklyn Academy of Music, 30 Lafayette Ave. (off of Flatbush Avenue), $8 with student ID.