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Arielle Concilio

Iconic images mixed with absurdity pervade The New Museum

What do floating croissants, melting lampposts, and giant silk screen posters of Ashanti have in common? Well, it’s hard for anyone to be too sure, including Urs Fischer, the Swiss artist whose work is currently on exhibition at the New Museum.

The exhibit, “Marguerite de Ponty,” which opened on Wednesday, Oct. 28, takes its title from one of the pseudonyms of French poet Stéphane Mallarmé, and is the museum’s first show dedicated to a single artist.

What do floating croissants, melting lampposts, and giant silk screen posters of Ashanti have in common? Well, it’s hard for anyone to be too sure, including Urs Fischer, the Swiss artist whose work is currently on exhibition at the New Museum.

The exhibit, “Marguerite de Ponty,” which opened on Wednesday, Oct. 28, takes its title from one of the pseudonyms of French poet Stéphane Mallarmé, and is the museum’s first show dedicated to a single artist.

Salsa dips its way back into dancers’ hearts

The sizzling sounds of salsa music that once blasted through the streets of the South Bronx during the 1960s and 1970s are making a comeback.

The sizzling sounds of salsa music that once blasted through the streets of the South Bronx during the 1960s and 1970s are making a comeback.

Zorn Goes with the Flow on Improv Night

The spit that flew out of John Zorn’s alto saxophone and onto my face as I sat on the cramped floor of downtown jazz club was alone more than worth the $20 donation at the door.

The spit that flew out of John Zorn’s alto saxophone and onto my face as I sat on the cramped floor of downtown jazz club was alone more than worth the $20 donation at the door.

Defying All Musical Expectations, Agua Trip’s Music Holds Water

With a name like Agua Trip, a wary listener might expect a ’60s psychedelic-experimental band straight out of Haight-Ashbury.

With a name like Agua Trip, a wary listener might expect a ’60s psychedelic-experimental band straight out of Haight-Ashbury.