“Aristotle is a pagan, and is burning in Hell,” Bartolomé de las Casas (Gerry Bamman) passionately declares in Jean-Claude Carrière’s drama The Controversy of Valladolid
“Aristotle is a pagan, and is burning in Hell,” Bartolomé de las Casas (Gerry Bamman) passionately declares in Jean-Claude Carrière’s drama The Controversy of Valladolid
“The greatest truths can be told in a whisper.” That’s the advice the papal legate gives to the impassioned Bartolomé de las Casas in Jean-Claude Carrière’s new play The
“The greatest truths can be told in a whisper.” That’s the advice the papal legate gives to the impassioned Bartolomé de las Casas in Jean-Claude Carrière’s new play The
In 1954, when Reginald Rose wrote the teleplay 12 Angry
Men for CBS Studio One, he wrested liberalism from Joe
McCarthy. Judging by the way it was used in the most recent
In 1954, when Reginald Rose wrote the teleplay 12 Angry
Men for CBS Studio One, he wrested liberalism from Joe
McCarthy. Judging by the way it was used in the most recent
The average off-off-Broadway theatergoer might think he is
open-minded. The double prefix confers an anti-establishment
credibility on its constituents, an implicit assurance that
The average off-off-Broadway theatergoer might think he is
open-minded. The double prefix confers an anti-establishment
credibility on its constituents, an implicit assurance that
The next time you hear celebrity obsession mentioned as a sign of the decline of popular culture, remind the speaker that envious voyeurism goes back to Homer, and probably farther than that.
The next time you hear celebrity obsession mentioned as a sign of the decline of popular culture, remind the speaker that envious voyeurism goes back to Homer, and probably farther than that.
In the 18 years since the Metropolitan Opera revamped its Ring Cycle with a new production by Otto Schenk, there have been few times when the epic's performance has become an event.
In the 18 years since the Metropolitan Opera revamped its Ring Cycle with a new production by Otto Schenk, there have been few times when the epic's performance has become an event.
The walls of the set may be a little more rickety and its color schemes may be a little more dated, but John Copley's production of Mozart's The Marriage of Figaro, first staged in the 1970s, is as
The walls of the set may be a little more rickety and its color schemes may be a little more dated, but John Copley's production of Mozart's The Marriage of Figaro, first staged in the 1970s, is as
Staging Don Giovanni in what is an era of extreme sensitivity to sexual domination seemingly requires one of two clichéd interpretations by the director: either the title character is a hear
Staging Don Giovanni in what is an era of extreme sensitivity to sexual domination seemingly requires one of two clichéd interpretations by the director: either the title character is a hear
