In his first show on Broadway, Cranston delivers with “All the way.”
Veteran actor Frank Langella carries a mediocre cast with a new production of “King Lear.”
The stage adaptation of Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner,” though a solid effort, doesn’t use its stage design as well as it could.
A new production of Rainer Werner Fassbinder’s “Katzelmacher,” can't live up to its ambitions.
The Foundry Theatre's production of “Good Person of Szechwan” would have impressed even the playwright.
Some things never get old, so long as they're done well, but Taymor's treatment of "A Midsummer's Night's Dream" is a little tired.
"Natasha, Pierre and the Great Comet of 1812" beautifully distills Tolstoy's "War and Peace."
Joshua Harmon's hilariously clever "Bad Jews" centers on a disputed inheritance.
"Arguendo" is sort of a mess, but not for lack of trying.
Columbia Musical Theater Society puts on a beautiful production of "The Light in the Piazza," with stars that shine brighter than any lights.
Mar 15, 5:36pm
Most of you are already familiar with the nature of the lottery since you’ve done it once before. Thankfully, this time you won’t start with the rest of what’s left.... Read More
Mar 14, 12:44pm
No need to spend your precious time searching through Facebook and Twitter to stay updated. Spectrum has your back: This weekly series on current events will have you more informed... Read More
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