In his first show on Broadway, Cranston delivers with “All the way.”
Veteran actor Frank Langella carries a mediocre cast with a new production of “King Lear.”
The stage adaptation of Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner,” though a solid effort, doesn’t use its stage design as well as it could.
A new production of Rainer Werner Fassbinder’s “Katzelmacher,” can't live up to its ambitions.
The Foundry Theatre's production of “Good Person of Szechwan” would have impressed even the playwright.
Some things never get old, so long as they're done well, but Taymor's treatment of "A Midsummer's Night's Dream" is a little tired.
"Natasha, Pierre and the Great Comet of 1812" beautifully distills Tolstoy's "War and Peace."
Joshua Harmon's hilariously clever "Bad Jews" centers on a disputed inheritance.
"Arguendo" is sort of a mess, but not for lack of trying.
Columbia Musical Theater Society puts on a beautiful production of "The Light in the Piazza," with stars that shine brighter than any lights.
Apr 17, 4:25pm
If your life is feeling a little dull after the excitement of Bacchanal, the Eye’s got your back. We have something extra special in store this week. Every semester, we... Read More
The Bookseller outside Milano talks about CU attitude, useless MoHi restaurants, and reading beyond the CoreApr 17, 2:29pm
The independent bookseller (and published author) outside of Milano, Steven Hann, sells books with pride. His work of poetry Blonde, Blue Eyed, and Handsome and book Mr. Manner’s Guide to... Read More
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