A new production of Rainer Werner Fassbinder’s “Katzelmacher,” can't live up to its ambitions.
The Foundry Theatre's production of “Good Person of Szechwan” would have impressed even the playwright.
Some things never get old, so long as they're done well, but Taymor's treatment of "A Midsummer's Night's Dream" is a little tired.
"Natasha, Pierre and the Great Comet of 1812" beautifully distills Tolstoy's "War and Peace."
Joshua Harmon's hilariously clever "Bad Jews" centers on a disputed inheritance.
"Arguendo" is sort of a mess, but not for lack of trying.
Columbia Musical Theater Society puts on a beautiful production of "The Light in the Piazza," with stars that shine brighter than any lights.
The Barnard Columbia Ancient Drama Group's performance of "Thyestes," in the original Latin, sets a new bar for the Columbia theater world.
A new play about Zelda Fitzgerald brings larger-than-life personality to the stage.
For Barnard theater department, adapting the Bard proves no small task
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