Samuel Jones

By Samuel Jones
2019-12-10T06:47:39.780Z
In 2018, the first line of Spectator’s XMAS!13 review read, “This year Santa Claus is retiring. Microphone substituted for candy cane, the announcement came moments into the show.”
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By Samuel Jones
2019-11-25T06:29:11.565Z
“Kiss me through the hole in this nasty wall,” calls Pyramus, played by Joel Meyers, CC ’21, his head poking out from under the legs of the Wall to his lover Thisbe. The Wall was played by Jane Walsh, CC ’23.
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By Samuel Jones
2019-11-20T06:25:08.952Z
“Mine?” “Mine?” “Mine?” “Mine?” The animated squawking seagulls chant in unison, grasping for their hunger to be fulfilled.

By Samuel Jones
2019-10-11T03:27:27.270Z
Dael Orlandersmith leaned over the podium, never letting the echo of her voice die in the auditorium. She allowed her voice to run at a gallop, enunciating every “t” and “d” with a punch as she engraved a brand new, bittersweet piece onto the hearts of the audience.
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By Samuel Jones and Sarah Robertson
2019-10-03T05:16:32.144Z
“This must be a simply enormous auditorium!” thought an audience member.

By Samuel Jones
2019-05-21T21:21:52.546Z
“With energy, pizzazz, and candid hilarity, the unexpected jolts and quirky visages of Greenfeld captivated from start to finish.”

By Samuel Jones
2019-05-06T03:05:37.315Z
As Mercutio took his last breath, lightning lit up the dome of Low Library and thunder boomed in the sky.

By Samuel Jones
2019-04-01T05:12:41.482Z
White space surrounds the works: white walls, white lights on a white ceiling, white paper, white dressing screens, white blinds on the windows.

By Samuel Jones
2019-03-11T03:31:06.338Z
Red, fleshy chunks of watermelon skid off the stage into the faces of the audience.
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